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Photoshop Corner #001"Why I live in the digital darkroom"by Fred Miranda
Thors
Hammer, Bryce Canyon-Utah
Canon
D30, 1/13, f/18, ISO 100 Canon 100mm f/2.8
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I
am on the forefront of a new era of photography. I live in the digital
darkroom. All of my expertise is in the digital format. I started learning
the basics of Photoshop as soon as the software was released. I was intrigued
by it. I devoted all of my free time to learning as much as I could about
all possible ways to use the software to restore and enhance pictures. Through
various classes, I became familiar with techniques to collage and montage
images. However, I soon realized that when it comes to landscape and commercial
photography, these techniques could sometimes create an unrealistic or
“fake” looking image. So, I began a journey to seek out
a way to make more natural looking, subtle improvements. Photoshop allowed
me this outlet and I decided start on a mission to master the software. One of the first lessons I learned is "less is more". The less I manipulate the images, the more effective it becomes. In my opinion, over doing repair makes for a very unattractive photographic work of art. I think there is nothing better, than taking something straight from the camera that's perfectly exposed, sharp, and has great color. |
However, images like this are rare. Sometimes, weather conditions, lighting or other factors will force you to have to do a certain amount of manipulation to get your shot the way you visualized it. Here is an example of a very high contrast shot I took at high noon, when the lighting was not optimal. |
![]() Shot at 1/4s and f/18 |
Because the exposure range of this specific shot exceeds the dynamic range of any film or digital camera, I took a second shot exposing the sky. |
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Then I ran the two images through an action I developed in Photoshop called Dynamic Range increase (DRI), and here is how the final image looked. |
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