| Once in a while we come across a new plugin that
          solves a common problem in a new (at least new to us), easy and more
          powerful
          way. When we work with the CS2 Lens Correction filter and other specialized
          perspective correction filters we realize some distortion artifacts
          but never took the time to check into the "why?" (sorry but
          life is too short :-) ).  Altostorm
              Rectilinear Panorama (ARP) is a new way to solve all
              kinds of lens distortions. This tool actually is aware of all the
              issues
              and
          solves quite a few of them. As the name of the plugin indicates this
              tool is thought to even correct the very strong distortions you
              get from panoramic images. Lets have a look at a sample session and see how this tool works.  Distorted photo
 The typical lens distortions were already
          removed using PTLens but
          it could also been done with ARP. We used PTLens because in the image
          it is hard to see what is a lens distortion and what are crooked lines
          from the real object (and our images have often this issue because
          we love old buildings). Here is the first screen of ARP.  First (out of four) step screen
    Zoom options
 ARP is capable to display a full screen sized
            preview which is a must for serious work (some operations get slower
          though, but very reasonable).    Step 1 With the first step you use curves to define the distortions:  Step 1 controls
 We use two vertical and two horizontal curves which define
          the perspective and the curvature of the distortions. There are two
          modes for the curves: 
          3 points (easy to use)Bezier (more precise) You then define the curves for horizontal (top, bottom) and vertical
          (left, right). Normally you follow lines that should be  straight
          (horizontal or vertical) in the final image.   Step 2  Step 2 options
 In most cases you want to use the first
          options (we did not actually use the second ones). Read more on their
          web page. Step 3 At step 3 the plugin renders a preview.
          If you don't like the result you can actually go back to step #1 without
          leaving the plugin.  Step 3 controls
 I never have seen panoramic tools that
          had these 3 controls. You all have probably seen that you easily can
          create corrected images that are too wide or to high. The "Ratio of
          dimensions" control let you fix this. The other two compensation settings
          are more complex (best you read the samples on Altostorm's web site).
          It can happen that elements from the foreground get larger rendered
          than same sized objects that are further away from the camera. On the
          corrected image both objects should get the same size. Here you
          can use the compensation sliders to correct this behavior. Very powerful
          indeed. Step 4  Step 4 crop
   Step 4 options
 In step 4 you can define a crop. Then
          either save to the current layer or to a new file. Here is the final image (not finally
          cropped in PS):  Final image
 The Pro version supports full 16bit. The
            Pro version costs $179 and cannot be called cheap. But we have to
          keep in mind that these are very specialized
            tools which are sold in low volume. Overall this is an amazing and
          easy to use tool. ARP is now clearly our perspective correction tool
          of choice. What we like to see improved: 
          Save/restore of settings (planned)Improved crop control (planned)A way to make the curve a straight line because in images like
            our sample there are no real straight lines and this means we may
            define distortions that do not exist. With straight lines we
            can just define the perspective fast.In step 3 we want a preview of the original image Highly Recommended   Note: We not only review tools but also work with
          many manufacturers to improve these tools. Most of them listen and
          respond to our feedback. For every page we write we spend many hours
          to work with real world images.  Buy our books/filters to support our work.
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