Friday, November 12:
Digital workflow tutorial by Uwe Steinmueller
- 5 hour seminar
- only available for registered participants
- Price $150
- Ask about this in your registration
- 10am - 3pm
5:00 - 7:00 p.m. Registration, Gallery Exhibit and Sponsor Room open.
7:00 p.m. Conference welcome. Reception.
Saturday, November 13th:
8:00 am:
Conference begins. Registration and sponsor room open at
8:00 am 9:00 to 10:30 am
Session One: Jim Collum: How to Create Platinum Pigment Prints
10:30 to 11:00 am: coffee break / sponsor room open
11:00 am
Sponsor presentations:
- by Lexjet: printing Summit participants
work
- by Canon USA: How the hads on sessions will work
11:30 to 12:30 pm
Session Two: Alain Briot: From fine art print to framed gallery-quality
piece: how to do mount, sign, mat, frame and display your fine art photographs.
12:30 to 1:30 pm: Lunch break / sponsor room open, Lunch on your own
1:30 to 3:00 pm
Session Three: Uwe Steinmueller,: The art of Raw conversion
3:00 to 3:30 pm: coffee break / sponsor room open
3:30 to 6:00 pm Session Four: Uwe Steinmueller, Alain Briot and Jim Collum,
Portfolio Print Review Session
Sunday, November 14th
8:30 am : Registration and sponsor room open
9:00 to 10:30 am
Session 5: Guest speakers session 1
10:30 to 11:00 am : coffee break / sponsor room open
11:00 to 12:30 am
Session 6: Alain Briot and Uwe Steinmueller: Digital B/W
printing
12:30 to 1:30 pm: Lunch break / sponsor room open, Lunch (on your own)
1:30 to 3 pm
Session 7: Alain Briot. Jim Collum and Uwe Steinmueller: Digital Photography
in 2004
3:00 to 3:30 pm: coffee break / sponsor room open
3:30 pm: Summit concludes
Presentations Abstracts
Saturday, November 13th
Session One, 9:00 to 10:30 am
Jim Collum: How to Create Platinum Pigment Prints
Abstract: From digital capture, through digital negative creation and on to
the final Platinum Pigment print. Discussion of image selection, photoshop
techniques, and tradtional Platinum printing.
Session Two:11 to 12:30am
Alain Briot: From fine art print to framed gallery-quality
piece: how to do mount, sign, mat, frame and display your fine art photographs.
Abstract: Printing your work to the most exacting standards is only the beginning.
To showcase your work and present it to galleries, museums and clients
you need to sign it, mat it, dry mount it, frame it and present it. How
to complete all the steps which follow the printing process, and more importantly
how to complete these steps so you achieve museum-quality presentation,
is the subject of this presentation. Learn everything you need to know
to make a truly impressive presentation of your work. Bypass the problems
that affect other artists and which result in poorly displayed and finished
prints. Learn from the expert. Alain makes a living selling fine art quality
prints and has been mounting, framing and displaying his work in museum
quality fashion since 1981.
Session Three: 1:30 to 3:00 pm
The Art of Raw coversion
Uwe Steinmueller
Abstract: Learn the latest tools and workflow for converting digital raw files.
Uwe Steinmueller is early tester for most major raw converters that are in
the market.
Session Four: 3:30 to 6:00 pm
Portfolio print review session
Uwe Steinmueller, Alain Briot and Jim Collum
Abstract: Portfolio print review sessions 1 and 2
The portfolio print review Sessions is a fantastic opportunity to have your
work reviewed by professional photographers who are creating the images you
want to create. Your conference registration gives you the possibility to
participate in the Portfolio print review at no extra cost. You can either
have your work reviewed or watch the review process. To insure your work
is reviewed we recommend you sign up as early as possible as print review
seats are both limited and in high demand.
The twp portfolio print review sessions are identical in format. They will
take place as a round table discussion with 6 participants seated at each table.
Participants need to bring a total of 4 prints maximum. You can bring less
than 4 prints if you like. There will be no exception to the maximum number
of prints. If you have more than 4 printsyou will need to make a final selection
of 4 prints only. Your prints will be reviewed by Alain Briot, Uwe Steinmueller
and Jim Collum according to the choices you indicated on your registration
form. Each print review will be approximately 10-12 minutes per participant.
The choices you made on your registration form will be honored as much as possible.
Sunday, November 14th
Session Five: 9:00 to 10:30 am
Guest presenters session 1
Bill Spilman: Creating a photo gallery website using Open
Source software
Abstract:
his presentation is based on Bill Spilman's experience creating and
enhancing his photography gallery website using Coppermine Open Source software.
Bill will explain how to create a web gallery featuring your work and
how
to prepare
your text and images for the best presentation possible.
Guest presenters session 2
Byron Jorjorian: Marketing your Stock Photography
Abstract:
One of the Southeast’s most published nature photographers, Byron Jorjorian
will draw on his 15+ years of experience to teach you the marketing and organizational
strategies you need to build a successful part-time or full-time stock photography
business. Some of the topics Byron will cover include: what sells/what doesn’t,
storing/filing/tracking and retrieval systems, negotiating rights and prices,
legal issues, successful self-promotion campaigns, understanding the market,
and more. Whether you are a working pro or thinking of sticking your toe in
the photo business, this presentation will have something for you!
Guest presenters session 3
Brad Hinkel: Fake Film - Recreating the Look of Color Emulsions
Abstract:
"Let's take a slightly different look at the difference between film and digital.
Film allows the photographer to select a film for the best overall look - including
some specific color mapping to create the most overall appealing image. But
digital allow for creating very precise color
correction that can create a much more accurate rendition of color. Neither
is really a better model, but it is important to see how these differences
affect the way we use different films & digital.
Now we can fairly easily color correct digital camera images to set good color
or even create very good profiles for very accurate color. From a very accurate
color image - we can apply the color profiles from films to create a look that
matches individual film emulsions. I have created
profiles for several films; including Fuji Velvia & Kodachrome. These are
extremely easy to apply in a single step in Photoshop. I will provide a few
simple demonstrations of these profiles."
Session Six: 11:00 to 12:30 pm
Alain Briot and Uwe Steinmueller: Digital B/W Printing
Abstract:
Alain and Uwe share their experience with B/W conversion and printing with
Epson Ultrachrome printers.
Session Seven: 1:30 to 3 pm
Alain Briot, Jim Collum and Uwe Steinmueller: The State of
Digital Photography in late 2004
Abstract:
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