Outback Print Fine Art Paper Directory

Harman Inkjet Gloss FB AL

subjective evaluation by Uwe Steinmueller

 

     The Art of Digital Fine Art printing
"....I am very impressed with the book you are about to read. It’s information like this that has helped to raise the quality of digital output and reduce the traditional art world’s resistance to the use of digital tools in art. It is a book written by someone who KNOWS fine art digital printmaking. Uwe’s style is concise and to the point. This comprehensive and complete guide to fine art digital printmaking should be included in the library of anyone who is serious about making fine art digital prints...."

by Mac Holbert
(
Nash Editions) 4/17/2006

 

Harman Inkjet Gloss FB AL

Note: Harman Inkjet is the company that continues the legacy of the classic Ilford B&W papers. Means they try to match their own well known silver papers.

Surface Gloss (Baryta Layer)
   
Material Fiber paper
   
Weight 320 g
   
Sizes quite a few sizes available on sheets and rolls
   
Inks recommended Photo Black
   
Color or B&W Both (is very special for B&W)
   
free ICC Profiles From Harman-Inkjet
   
OBA (Optical Brighteners)


Measured with BabelColor
How to read this chart you find here

   
Printer experiences Epson Ultrachrome and K3 printers (more to check)
   
Handling no problems
   
Tips and Tricks Images look sharper on this paper than on any other paper we have seen. This means you need quite a bit less of sharpening for output.
   
Known Issues See notes by Jack Flesher below
   
Price  $$$                                         ($ normal, $$ not cheap, $$$ pretty expensive)
   
Link to manufacturer www.harman-inkjet.com
   

 

 

Comments by Outback Print Editors

Jack Flesher

The first thing you notice is the paper's surface -- identical to air-dried fiber-base silver, with a slight egg-shell finish and soft gloss. Sweet. Next thing you notice is this paper even smells like traditional silver paper. (Seriously!) Finally, it has a slightly warm white base.

This paper is thick and also swells when the ink hits it, so I needed to set my paper thickness up a notch (4 on the 3800 driver) and platten gap to "wide" to avoid head-strikes on the wet surface. Once all that was settled I printed the profiling targets, let it dry down over-night and built the profile this morning.

I am now sitting here admiring my standard large paper evaluation print -- a color test image available on this site for download, and a long tonal range B&W image, doubled up and printed together on a single 13x19 sheet.

As for B&W, in the black patches I can distinguish patch 4 from 0 and 6, and in the white patches I can distinguish 253 from 255 and 252. (I can sense 254 is different from the surrounds, but can't really "see" it as its own tone.) Anyway, this paper has incredible tonal range, and this of course is present in the B&W image -- pure, deep blacks with outstanding shadow detail all the way through to delicately detailed highlights. Amazing.

As for color, I was frankly surprised -- it is excellent too.

Now for the better news: There is NO gloss differential and NO visible metamerism! (Epson 3800)

Lastly, the "AL" in the paper name stands for "alumina," a reference to the fact there is aluminum in the substrate -- ostensibly it's there to emulate the slight metallic "glow" present in a silver-gelatin print. And yes, I saved the best news for last, they accomplished that -- there is indeed a subtle metallic glow that adds traditional depth to the final print.

This is amazing stuff folks. I have found my paper.

 

Uwe Steinmueller

We have seen a few prints and have to say that this looks like a really wonderful paper. It may even convert us to use glossy surface. The gloss is not in the way to appreciate the photos.

 


Featured external reviews

"Harman Gloss and Traditional Gelatin Silver Papers" by Richard Lohmann (Luminous Landscape)

 

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